Saturday, August 9, 2014

Gary McFarland - The October Suite (1966)

Composer and arranger Gary McFarland was well known in the 1960s for his film-scoring abilities and his charting skills with midsized bands. McFarland was also, however, a jazz fan, and particularly one of scalar pianist Steve Kuhn. This project features Kuhn in the center of a program made up entirely of McFarland compositions, all but two of which were written specifically for the album. Recorded in 1966, it is an anomaly in the Impulse catalog of the time in that it did not pursue the free jazz realms with the vengeance that most of the label's other acts did during that year. It is also significant that it caught the attention of a young Manfred Eicher, who later signed Kuhn to his ECM label based on the strengths of this recording. Like Keith Jarrett, Kuhn is in the pointillistic school of jazz pianists of the era. Unlike Jarrett, Kuhn does not consider force in his attack as necessary as his labelmate does. Instrumentally, Kuhn's customary trio situation — which is dutifully performed with zeal by Ron Carter and drummer Marty Morell — is augmented with a string quartet on half the record and with a wind trio with harp on the other half. The tracks on side one are in some ways less revolutionary, yet more fulfilling because Kuhn is clearly at home with the sonorities afforded by the strings. They don't swing, even on "One I Could Have Loved" from the film 13 or "St. Tropez Shuttle," a strangely metered bossa tune (in 3/4 instead of 4/4). Kuhn's cautious, contemplative improvising concerns itself with scalar explorations of melody, color, and harmony rather than rhythm or modal considerations. His touch is light and airy and therefore most pronouncedly visible against the strings. The interplay between Carter and Morell is almost instinctual; they couldn't have moved any closer together on this set if the charts had been written for them -- and they were not. With the wind trio and harp, Kuhn's approach is more physical, but nonetheless strives to create a palette for the very instruments that are trying to create one for him. There is some tension in this approach, but it works to the record's advantage. In sum, The October Suite was an experiment that worked beautifully, even if it was not acknowledged as being one of the more subtly brilliant albums of its day, though it most certainly stands the test of time that way.
Thom Jurek

Source : http://www.allmusic.com/album/the-october-suite-three-compositions-of-gary-mcfarland-mw0000021648

Steve Kuhn
Gary McFarland
The October Suite
Three Compositions of Gary McFarland

Tracks

1 Remember When  4:48
2 St. Tropez Shuffle  6:19
3 One I Could Have Loved (Theme from the Motion Picture "13)  4:52
4 Traffic Patterns  6:23
5 Childhood Dreams  6:34
6 Open Highway  6:03

All Compositions by Gary McFarland

*

Personnel
[# 1-3]
Steve Kuhn - p
Ron Carter - b
Marty Morell - b
Isador Cohen, Matt Raimondi - vl
Charlie McCracken - vla
Al Brown - cel
Recorded October 14, 1966
[# 4-6]
Steve Kuhn - p
Ron Carter - b
Marty Morell - b
Corky Hale - hrp
Joe Firrantello, Don Ashworth, Irving Horowitz, Gerald Sanfino - woodwinds
Recorded November 1, 1966

7 comments:

Melanchthon said...

http://www.multiup.org/download/41a578d8ebbf38e477f4411852a1aaa5/Gr_McFrlnd_-_Th_ctbr_St.7z
http://www.multiup.org/download/f9d2342423f59190ac6ef15d075099c1/Gr_McFrlnd_-_Th_ctbr_St2.7z

Albertito Jazz said...

Thanks a lot, Melanchthon

Prof. Yaffle said...

Thank you

Luiz said...

Didn't know this, superb! Thank you!

fcapeau said...

Good choice, Mel; Many thanks.

Be Restor'd! said...

Hello Melanchthon,

have been checking out your blog and it is a delight!!
couldn't find a password tho',
(the PW link doesn'nt yield the PW)
..can you help?
many thanks and keep it the good work.
a fellow music freak,
a

jazzcat1228 said...

Thank you, Mel!